“Life changes fast.

Life changes in the instant.

You sit down to dinner and life as you know it ends.”

~Joan Didion, The Year of Magical Thinking

There’s no getting around it. Christchurch, New Zealand, is an emotional city to visit. The damage from two major earthquakes in 2010 and 2011 is as fresh and raw as if it had happened last week. From the ruins at Cathedral Square to the haunting 185 Empty Chairs memorial, the city tugs at your heartstrings, offering powerful reminders that Christchurch has faced the worst of times.

But despite its recent history, New Zealand’s “Garden City” is also a place of incredible resilience and hope. Rebuilding seems to be going on at lightning speed. Vacant lots stand beside newly completed structures. Shiny playgrounds look as if they were just completed. Street art is thriving. And people are friendly and welcoming and eager to talk about what their city has been through.

The Seabourn Encore was docked at the port of Lyttelton, about 20 minutes south of Christchurch. Herb and I took the shuttle into the city, and as soon as we left the parking area, our driver welcomed us and began talking. His commentary was unexpected – this was merely transportation, not a tour – and he seemed delighted to tell us about his city. He told us how he and his wife had to rebuild their home after the second earthquake; he pointed out sights he thought we might like to visit; and he explained how the city’s constant state of construction requires almost daily detours. “They keep on changing the cones!” he laughed as he maneuvered around a street in the midst of being repaired.

Arriving at the port of Lyttleton, New Zealand.
Traveling through a tunnel between Lyttleton and Christchurch, which was not damaged in the earthquake. “Not a single tile fell!” our driver said.
One of the many construction site detours in Christchurch’s central business district.

Christchurch Art Gallery Te Puna o Waiwhetu

The shuttle dropped us off at the Christchurch Art Gallery Te Puna o Waiwhetu, a modern angled glass structure that seemed to be a nod to Frank Gehry’s masterpiece, Guggenheim Museum Bilbao. As we walked closer, I couldn’t help but smile: Perched on the rooftop was a giant hand-face looking out over the city. And along one of the building’s walkways, a bull stood on top of a grand piano. This was clearly a city with a sense of humor!

The Christchurch Art Gallery opened in 2003 and is free to the public.
“Quasi” the giant hand-face sculpture was created by artist Ronnie Van Hoot.
“On First Looking Into Chapman’s Homer,” Michael Parekowhai’s bronze and stainless steel sculpture.
Looking up at the Gallery exterior…
…and the “Reasons for Voyaging” sculpture.

Punting on the Avon

We walked a few blocks south in search of the Antigua Boat Sheds and an interesting-sounding experience called Punting on the Avon. Green and white striped boathouses lined a spot along the Avon River, and a small fleet of bright yellow shallow-bottomed boats called punts sat at the water’s edge. A carryover from Christchurch’s English heritage, punting is similar in concept to Venice’s gondola rides, but instead of being propelled through the water with a rowing oar, the punt is moved with a long pole.

Antigua Boat Sheds on the Avon River.
Classic punting jackets and straw hats adorn the walls of Antigua Boat Sheds.

We climbed aboard our punt and joined another couple for the half-hour ride down the Avon. Our punter stood on the back and provided a brief commentary about the area. The route ran along the edge of Christchurch Botanic Gardens, under bridges and around tree-draped river banks. Ducks paddled by, diving for food in the shallow waters. With the chirping sounds of cicadas, the lazy lull of the river and the warmth of the mid-morning sun, it was a quintessential summer moment that I carried with me long after the ride had ended.

Ready to go punting!
Cruising along the Avon, with the Christchurch Botanic Gardens on the right.
Our friendly punter.
Heading under a low bridge.
A reflective river companion.
A lovely summer day.

The City Center and Cathedral Square

Back on the street, we headed along the edge of the Botanic Gardens toward the center of the city. We passed the i-SITE Visitor Information Centre and several tram stops before reaching a construction zone near Cathedral Square. Despite the road closures and construction areas, we found Christchurch extremely walkable and easy to navigate.

Peacock Fountain in the Christchurch Botanic Gardens.
Christchurch’s i-SITE Visitor Information Centre is housed in the Boys’ High building, constructed in 1881.
The Christchurch tram offers tours with hop on/hop off privileges for the day.

I knew Christchurch Cathedral had been severely damaged in the earthquake, but I wasn’t prepared for what that damage would look like. The cathedral stands in ruins, as if it were remains from an ancient city. Metal fencing surrounds the entire area, with a makeshift viewing spot offering a glimpse into the destruction. It’s an eerie sight, a monument unto itself and a powerful reminder of what happened here.

View of what remains of Christchurch Cathedral.
I poked my camera lens through the fence to get an unobstructed look.
The statue of Canterbury founder John Robert Godley was damaged in the earthquake and reinstated in 2016. A time capsule was placed beneath a plaque to be opened in 2067.
Cathedral Square sculpture called “Chalice” by Neil Dawson.

My plan for lunch near Cathedral Square didn’t quite work out, but we had passed a restaurant near the Art Gallery called Fiddlesticks that looked like a good option and headed there. It’s always a treat when you happen upon a great café in a new city, and Fiddlesticks did not disappoint. Our food was delicious, service was friendly and it proved to be a perfect respite before an afternoon of touring.

Fiddlesticks Restaurant on Worcester Boulevard.
My tasty poached chicken salad with falafel, arugula, buckwheat, lemon and yogurt. 

Re:Start Container Mall

Our next stop was the Re:Start Container Mall, a temporary food and retail community created from shipping containers after the 2011 earthquake. On the way there, we stopped to buy a few jars of New Zealand Manuka honey to bring home. When we mentioned visiting the Container Mall to the cashier, she looked surprised. “The mall is closing today!” she said. “You’ll probably be able to see a little of it, but most of the shops have closed.”

When we reached the mall, signs announcing final day sales told the story. After six years, the containers were closing shop. It felt important somehow to witness Re:Start’s last day, a positive sign that Christchurch was moving forward, away from something temporary. It had been an innovative solution and a way to cope with the damage from the earthquake. Now it was time to move on.

Final day of business for the Re:Start Container Mall.
Moving day “sale” signs hung in every shop.
A clever Container Mall food stand.

Cardboard Cathedral

The city’s other post-earthquake innovation is the Cardboard Cathedral, officially known as Christchurch Transitional Cathedral. Opened in 2013, the cathedral was built from cardboard tubes, timber, steel, glass and shipping containers. The A-frame structure was designed by Japanese architect Shigeru Ban and seats 700 people.

Inside the space feels airy and contemporary. We spoke with one of the volunteers, who explained how the building was constructed and encouraged us to walk around and take photos. Her pride in the city’s efforts to rebuild was evident, but when she told us she had left Christchurch after the earthquake and had only recently returned, her voice grew quiet. You could feel her profound sadness as she spoke, as if she were telling her story for the first time.

“Sometimes when I talk about it, I still start to cry.”

~Cardboard Cathedral Volunteer

Christchurch Cardboard Cathedral entrance.
Light filters through the cardboard tubes.
Looking up at the top of the A-frame ceiling.
Triangular pieces of stained glass replace the original cathedral’s rose window.

185 Empty Chairs

The people who were killed in the Christchurch earthquake are honored in a poignant memorial a block from the Cardboard Cathedral. 185 Empty Chairs, painted white and placed in rows in a vacant lot represent the lives lost that day. It’s an incredibly moving tribute, juxtaposed against the surrounding buildings and passing cars, as if these lives were as unfinished as the empty lot in which they sit. The chairs are all personal – from a wheelchair, to a wicker porch chair, to a recliner, to a baby’s high chair. There is no one guarding the site, only a small sign that explains the significance:

“Here, opposite the site of the CTV building, 185 chairs of all shapes and sizes symbolize those who lost their lives as a result of the Canterbury earthquake on 22 February 2011. The individuality of each chair pays tribute to the uniqueness of each person represented.”

Sometimes there are just no words…

Christchurch Street Art

Throughout our day in Christchurch, we passed vacant lots and surviving buildings that had been painted by street artists. The murals seemed to be such a strong part of the fabric of this city that I felt it was important to include some of them here.

By street artist Cracked Ink on Hereford Street.
By street artist Jacob Yikes on a car park building on Worcester Street at Cathedral Square.
Also by Jacob Yikes on Manchester Street.
Christchurch’s cycling scene is depicted on Worcester Street by street artist Damon Radford Scott, who paints under the name Dside.
“Hide and Seek” by street artist Wongi Wilson on Gloucester Street’s Unimed Building.

A City of Hope

It was late afternoon when we headed to the Christchurch Art Gallery to catch the shuttle back to Lyttleton. On our way we passed the Gallery’s back side, and as I looked upward, I was stopped in my tracks by six words emblazoned in colorful lights. I can’t imagine a more perfect way to describe the attitude of this city that has been through so much. And even more symbolically, that message of hope is being shouted from the rooftop:

“Everything Is Going To Be Alright.”


  • Your PostCard refresh my memories. My wife and I were impressed with their resilient re-building work. I can remember the scenes in your pictures but I’ve missed the Bull on the Piano. Wow, how did I miss it! Music makes whale dance. Is Bull curious and fascinated in music? I love it. myron

  • Myron, thank you! I’m happy the photos brought back memories of your visit to Christchurch. It made me laugh that you remembered everything except the bull on the piano! He was pretty hard to miss…maybe you didn’t walk on that side of the Art Gallery, or you were too busy looking up at the hand-face on the roof 🙂

  • My first impression of ‘curiosity’ or ‘fascination’ might be too superficial. I was thinking about the sculptor. I guessed he might be an aged artist who had European heritage and were exposed to the Victorian era literature. Then, playing music is a woman’s thing. Piano symbolize woman. Bull on the piano is a metaphor of androcentric. Bull shuts off woman’s mouth with weight, and physically dominates woman.Then, this sculpture is a satire of male-dominated society. Can’t we find an easy alternate on Bull’s position even today?

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